Film Pink Floyd The Wall

PINK FLOYD auto WALL

The making du the film, brick passant par brick

To be honest je should never oui made Pink Floyd thé Wall – cette was a bizarre cumulatif of events that left je with the directorial responsibilities. It’s no that ns ashamed jaune displeased with the result. Conditions météorologiques the contrary, I’m very proud du it. But the making du the cinématique was too miserable année exercise à la me to gain any pleasure from looking earlier at the process. Auto American director joe Losey oz said, “Beware de a cozy anglais film set, since often, in thé creative process, ‘niceness’ can lead venir disaster.” The cinématique of the Wall was not cozy and niceness was in quick supply, cible curiously conditions météorologiques did some exceptionally good and original work.

Vous lisez ce: Film pink floyd the wall

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Teacher (Alex McAvoy) and Young Pink (Kevin McKeon)


He said that ns come earlier the prochain day and meet with Gerald Scarfe, who had collaborated v him nous the brouillon of the habitent show. Gerry is a famous cartoonist whose illustrations I’d longue admired in exclusive Eye and The sunday Times. When he arrived he unrolled a sort of storyboard, auto size of a bed-sheet: a patchwork ns his spiky drawings, somewhat sepia with age.

I toujours had no intentionnellement of directing the film myself. And anyway, je was more than preoccupied with ma next cinématicien – Shoot auto Moon with Diane Keaton et Albert Finney. In 3 weeks je would it is in leaving à la San Francisco et was subsequently reluctant venir commit to any est différent project. But Roger was an extremely persuasive et I spent the next two main returning every day, going v the script treatment the Roger had written.

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Eventually, je left parce que le northern californie to prepare Shoot thé Moon and Roger phoned me with an idea. Why didn’t ns produce the cinématicien with him, with michael Seresin (my longue time graphère vidéo whom roger had endroit separately) directing in tandem with Gerald Scarfe? auto idea appealed because ns could it is in vicariously associated with a project je had great hopes for, there is no having venir sweat the du sang that directing requires. Some hope.

In January 1981 nous began filming Shoot the Moon and, simultaneously, ns arranged pour our british production manager, Garth Thomas, à begin prepping the Wall v Production designer Brian Morris, whom je had functioned with many times before.

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In the middle de filming Shoot auto Moon, Pink Floyd to be performing the Wall apparence solo in Dortmund, Germany – supposedly à la the last time – et so nom de garçon Seresin and I flew on the weekend ns Washington’s date of birth – a auditeur holiday in thé US – from raison Francisco to Germany.


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The ‘war room’: un lion Parker, Gerald Scarfe et Production designer Brian Morris